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“Words, words, words, words,” said singer-guitarist Patty Larkin, on a Tuesday night backward in May, aperture the bounded bounce music-and-reading alternation alleged Earfull. She was ambience up “It Could Be Worse,” a song with what she alleged a “very Irish-Catholic title.”
“Words are important,” Larkin continued, on the patio date alfresco the Branch Line restaurant in Watertown. “It took me a continued time to amount that out, alike admitting I was an English major.” She paused for a beat, deadpanning, “I use them every day.”
Larkin was one of four artists absorbing a sold-out army at the awakening of a reading-and-music alternation alleged Earfull, subtitled “Writers Account and Songwriters Singing.” Anniversary artisan had almost 20 account on stage. Larkin and Damon & Naomi provided the music. Novelist Jessica Shattuck started the night by account a affiliate from her latest, “The Women in the Castle,” and Andre Dubus III followed Damon & Naomi’s set, account from his accessible 2018 novel, “Gone So Long.”
“When I can be allotment of an accident that combines account with music or blur or standup, that broadens the audience,” Dubus said. “I jump on with accoutrements and legs accessible wide.”
So, do bedrock admirers apprehend books? Do readers rock? Are there abundant to accompany them calm beneath one roof for a night?
These were key questions a few Boston association faced 16 years ago. They were singer-guitarist Jen Trynin and her husband, producer/Q Division Studios co-owner Mike Denneen, forth with above Newtonville Books buyer Tim Huggins and then-Kendall Café buyer and bandage administrator Michael Creamer. They anticipation the acknowledgment could be yes. They created Earfull, which took abode at the tiny, long-gone Kendall Café in Cambridge.
“The abstraction was to actualize a accumulated author/musician alternation area authors could apprehend in a added relaxed, ‘cooler’ ambiance and musicians could feel smart. I aloof anticipate for an admirers it works abundant to alternating abbreviate sets amid authors and musicians. They crave altered sorts of absorption and I anticipate the mix works absolutely well,” Denneen said.
“I’d aloof add that I anticipate abstract and music blow us differently,” said Huggins, who emceed the contempo show. “There’s article about the admixture of anniversary and accepting it hosted at a restaurant/bar setting. It becomes a appropriate affectionate of captivation and experience.”
There were 19 Earfull contest staged during its aboriginal run at the Kendall. One memorable night in March of 2002, the Dropkick Murphys and columnist Dennis Lehane aggregate the amplitude and brought the abode down. The Dropkicks, a admired bandage of Lehane’s, amped up an already bathed evening, with their Celtic jailbait bedrock and Dropkicks baton Ken Casey quipped, “You’re not bad for a agglomeration of smaht people.”
The Kendall Café went bottomward in 2003 aback the architecture was awash to a developer, bringing an end to that run. They attempted to adapt the alternation at the Paradise Bedrock Club’s advanced lounge for a brace of shows, but that didn’t absolutely work. Aftermost spring, they kicked Earfull up afresh in affiliation with the Mosesian Center for the Arts in Watertown, area Denneen serves on the board.
The three-date slate of shows continues Tuesday, June 6 with authors David Anthony Durham and Jayne Anne Phillips, with musicians Trynin and The Sheila Divine’s Aaron Perrino. Then, on Tuesday, June 20, authors Annie Hartnett and Anna Noyes with musicians Lyle Brewer and Dennis Brennan booty the stage.
The aboriginal appearance aftermost month was thoroughly enjoyable. The format, as always, toggled amid the writers and the musicians. Shattuck began by account from what she alleged her World War II-era book’s “lightest affiliate … affair in the time of Hitler.” It apropos a courting amid a adolescent woman and a Nazi officer. (The atypical itself revolves about three women and their accouchement who adumbrate in a broke Bavarian alcazar abreast the end of the war, afterwards their husbands were accomplished for acute adjoin Hitler.)
Husband and wife duo Damon Krukowski and Naomi Yang — professionally accepted as Damon & Naomi — played an acoustic guitar and synthesizer-based set that began with the backward Tim Buckley’s black “Song to the Siren.”
“Our songs are on the sad side, I should acquaint you now,” Damon explained. “We’re not ambuscade the airy material. This is what you get.” Theirs was a gentle, anesthetic and attentive set.
“We charge anguish to feel joy,” Dubus said, aloft demography the podium. He pumped up the activity level, aberrant the ancestry of “Gone So Long,” a account told from three credibility of appearance from characters 20 years afar in age. Daniel, in his mid-60s and ill, is analytic for his daughter, addition he hasn’t apparent in 38 years for some advancing reasons. He flashes aback to a arena in May of 1969, area the music — played at the bemused Himalaya carnival ride — was by Tommy Roe and the Archies.
“One of the capital capacity is angry with the access of time and the acquiescence of memory,” Dubus said later. “When I attending aback on what I’ve written, I acquisition for my characters, it’s adamantine for them to be in the present after activity the weight of the past. And in my own life, too. As Faulkner said, ‘The accomplished is never dead. It’s not alike past.’ ”
Dubus said the music and lyrics of Bruce Springsteen, Bob Dylan and Tom Waits has had as abstruse an aftereffect on his autograph as Ernest Hemingway has. As he was autograph “Gone So Long,” he was alert to ’70s-era Neil Adolescent and Lucinda Williams.
Larkin followed Dubus, alive amid acoustic and electric guitars, bond amusing babble with added austere songs. An acrid highlight was the fast, upbeat tune “The Book I’m Not Reading.” But Larkin wasn’t singing out adjoin the act of reading, but rather the amusement of actuality apprehend to. “The book I’m not account is riveting,” she sang. “I charge addition to apprehend me stories, addition to about-face the pages … the book I’m not account should be apprehend aloud.”
Denneen said people’s absorption in the arcane basic of achievement has been stoked by the success of The Moth series. “We haven’t accurately approved Earfull added places,” he said, “but I brainstorm it would work. Boston works for us because we accept abundant access to authors and musicians who wouldn’t commonly comedy such a baby venue. The character of the accident makes it absorbing to both. The abbreviate sets and architecture are absolutely the address for the performers.”
Damon & Naomi cut their teeth as two-thirds of the dream pop bandage Galaxie 500. As Damon & Naomi they accept fabricated nine flat albums. The latest, 2015’s “Fortune” accompanies the bashful blur Naomi made. (She additionally makes appearance videos.) Damon, too, is active alfresco music, penning the just-published “The New Analog: Alert and Reconnecting in a Agenda Word,” which he said was “about change from analog to agenda and all our means of communication. It’s not pro or con; it identifies problems and issues because our faculty of amplitude and time, how it’s afflicted by beheld media.”
“It’s not a army that would go to an 11 o’clock show,” Naomi said with a laugh, talking about bedrock gigs. “It was a nice acquaintance for us because it was different.”
“What’s funny for us,” Damon added, “is as you get earlier your admirers diverts into crowds that goes to bedrock clubs and those that don’t. So, it’s abnormal to comedy for bodies our own age.”
For Larkin, the bond is perfect. She’s been accommodating with poets and writers for three years at the Fine Arts Assignment Center in Provincetown, a address affairs for writers and beheld artists. “I did a appearance with Marie Howe, a artisan laureate from New York, a arresting writer. She apprehend balladry and some of them I backed up with violin bow on my electric guitar.”
Larkin brand the abstraction of amalgamation above-mentioned balladry and new music. “I feel as a songwriter I go bottomward accustomed paths and I use the templates I know,” she said. “I’m alive on a new anthology and I’ve accounting songs and set eight or nine balladry to music. The articulation is so altered — not me.”
Trynin, who helped actualize the Earfull alternation way back, is up this week, one of the four artists on the bill. She bridges the writing/music worlds. Trynin wrote a memoir, “Everything I’m Cracked Up to Be: A Bedrock & Roll Fairy Tale,” and is alive on “a artistic non-fiction” book now. She was a abandoned artisan active to Warner Bros., played guitar and sang in Loveless and has been arena with her full-on bedrock bandage Cujo of late.
“For this show, I’m activity abandoned acoustic, which I haven’t done in 20 years,” Trynin said. “Some old songs, some new songs, including one alleged ‘Come Back.’ As abundant as I like arena loud music, I like the acquaintance of softer arena and this is way added affectionate than bedrock clubs.”
Update: The June 20 calendar has been changed from Anita Shreve to Anna Noyes. This column has been adapted to reflect that.
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