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British songwriter Billy Bragg is best accepted in the United States for ambience Woody Guthrie lyrics to music on the Mermaid Avenue CDs. Like Guthrie, Bragg is a populist, and generally political, songwriter. His music from the 1980s is featured in a new boxed set.



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MELISSA BLOCK, host:



The music of Billy Bragg is raw and rousing. He’s been alleged a one-man Clash, apropos to the late-’70s left-leaning bandage from Britain. Bragg’s music from the 1980s is now actuality reissued in a box set. Listeners can trace the changes in his lyrics as they became added political, and his complete as it became added and added polished. Jeffery Pepper Rodgers has this review.

JEFFERY PEPPER RODGERS, reporting:



To acknowledge aloof how altered Billy Bragg’s annal articulate back they aboriginal came out, brainstorm you’re in England in the aboriginal ’80s. The latest big affair is the glossy, actinic pop, groups like Spandau Ballet and A Flock of Seagulls.

(Soundbite of song “I Ran”)

A FLOCK OF SEAGULLS: (singing) I aloof ran, I ran all night and day. I couldn’t get away.

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RODGERS: Then forth comes a adolescent songwriter accurate music like this with aloof a bargain electric guitar.

(Soundbite of song “A New England”)

Mr. BILLY BRAGG (Musician): (Singing) I was 21 years back I wrote this song. I’m 22 now but I won’t be for long. People ask me back will you abound up to be a man? But all the girls of the academy are already blame prams.

RODGERS: Like his heroes The Clash, Billy Bragg alone the advertising and abstention of pop music. But he additionally wrote amusing adulation songs with abundant hooks, and anon fabricated his mark on the U.K. charts.

(Soundbite of song “A New England”)

Mr. BRAGG: (Singing) I don’t appetite to change the world. I’m not attractive for a new England. I’m aloof attractive for addition girl.

RODGERS: In 1985 Bragg alike appeared on the BBC Hit Parade Top of the Pops, singing this song aggressive by the miners’ bang adjoin Margaret Thatcher’s government.

(Soundbite of song “Between the Wars”)

BRAGG: (Singing) I was a miner, I was a docker, I was a railway man amid the wars. I aloft a ancestors in time of acerbity with diaphoresis at the branch amid the wars.

RODGERS: Five of Bragg’s aboriginal albums accept been reissued both alone and calm in a box set alleged Billy Bragg Volume One. The box includes some concert and account footage, additional an arrangement of alternating takes and demos that will mostly be of absorption to diehard fans. Especially because so abounding aboriginal anthology advance already complete like demos.

(Soundbite of music)

RODGERS: Taken chronologically, the CD’s trace the political change of Billy Bragg from a socially acquainted rocker to a biographer of advocate and abutment anthems.

Mr. BRAGG: (Singing) There is ability in a factory, ability in the land, ability in the duke of the worker. But it all amounts to annihilation if calm we don’t stand. There is ability in a union.

RODGERS: As Bragg’s songs became added political, his annal became added able and produced. The best music in the box set is the best raw. Especially Bragg’s admission of Life’s a Riot, Spy vs. Spy and its follow-up, Brewing Up with Billy Bragg. While a lot of music from the eighties has achromatic into homesickness or worse, Bragg’s three-minute blasts of electric guitar and articulation still complete burning and new.

(Soundbite of music)

BLOCK: Jeffrey Pepper Rodgers is columnist of the book Rock Troubadours and The Complete Singer Songwriter. He advised the box set Billy Bragg Volume One.

(Soundbite of song “Love Gets Dangerous”)

Mr. BRAGG: (Singing) It scares me aloof enough. Adulation gets dangerous, adulation gets dangerous. Dangerous, adulation gets dangerous. Dangerous, dangerous.

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