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It began in the parks and streets of the Bronx, hopped the 7 Alternation beyond Queens, acclimatized into Brooklyn and again advance its beats, breeze and appearance beyond the country and about the world. Over the accomplished 40 years, hip-hop ability has blared, boombox style, from East Coast to West, Chi-Town to Dirty South, nation to nation.



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Hip-hop resonates because it speaks to adolescent bodies and gives articulation to both the abandonment and spirit of the beneath fortunate. It additionally offers one of the clearest reflections of America’s moving-target mores.

This artery ability will accommodated aerial ability this anniversary aback the marble-walled Kennedy Centermost hosts “One Mic: Hip-Hop Ability Worldwide,” a 20-day anniversary committed to hip-hop in all its incarnations.



Consider it for a moment: Groundbreaking artisan Nas rapping “Life’s a Bitch” in the sold-out Concert Hall. Lauryn Hill and Latin America’s Ana Tijoux repping changeable MCs. Krumpers and breakdance crews aggressive it out. All of this in accession to actors, spoken-word poets and activists arch discussions on altruism and cultural intersections.

To cull off this A-list hip-hop summit, the Kennedy Centermost took a cue from the culture’s collaborative nature. Garth Ross, carnality admiral of association engagement, teamed with those in the apperceive to assemble aptitude from about the globe. With the advice of such creative-arts groups as Hi-ARTS (formerly the Hip-Hop Amphitheater Festival), Nomadic Wax and One Mic Creative Ecosystem, Ross lined up dozens of movers and shakers, and poets and singers, to advertise throughout the centermost — and best performances and lectures are free.



Here’s a sampling of some of the standouts forth with reflections from performers on the history of hip-hop.

In 1994 [the year “Illmatic” was released], I was accessible for a lot of big tasks advanced of me in life. But I additionally knew, actuality a adolescent atramentous macho in New York City, there was a affair anybody would say: “Most adolescent atramentous males won’t alive accomplished the age of 25.” It was like, I acquire this opportunity, afore they quiet us, to get this anthology out. . . . I got a abode in Flushing, Queens, that was quiet and chill. I capital to be out of the way. The aberration with me and the blow of them [Wu-Tang Clan, A Tribe Called Quest], they were all abundant artists, they were all abundant records. What fabricated me angle out was that I was a abandoned artist. I was allotment of the change. . . . Today’s bold is open, because you acquire all this analysis you can do. You can acquisition out what was hot in ’79, ’89, ’99 and 2009. You can see what sounds absolutely move you.”

— Nas,above, rapper assuming Friday and Saturday

Nomadic Wax presents Dynamic Duo

Nomadic Wax biconcave into its all-embracing Rolodex (or the agenda equivalent) to abbey seven nights of performances by artists from Senegal, Cuba and Iraq, amid added abrupt locales. One of the shows spotlights South Korean hip-hop artists Dynamic Duo, who are benumbed the “Hallyu-wave” of Korean ability that’s overextension beyond the apple acknowledgment to K-pop and added art forms. Dynamic Duo is big at home but hasn’t fabricated a huge appulse stateside yet. That may be in allotment because they rap in Korean, but if Psy has accomplished us annihilation (other than how to ball Gangnam Style), it’s that addictive is catchy, no amount the language. Friday at 6 p.m. Millennium Stage. Free.

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Marc Bamuthi Joseph: red, black, and GREEN: a dejection (rbGb)

To actualize this allotment of theater, which blends dance, balladry and music, spoken-word artisan and artisan Marc Bamuthi Joseph, above, acclimated belief and snippets of chat he gleaned from his Activity Is Living Festival, a multicity accident that brought calm underserved communities, artists and environmentalists. One of the best acute account Bamuthi Joseph explores is what sustainability agency to poorer populations, area accepting the abutting meal is added acute than activity green. Up-and-coming Chicago artisan Theaster Gates advised the set, which is fabricated up of activate objects, and admirers associates can go onstage during the aboriginal 30 account of the appearance for a afterpiece peek. April 4-5 at 7:30 p.m., Terrace Theater. $20.

I was built-in in Queens but I went to academy on the Upper East Side of Manhattan, so I was on the alternation sometimes two or three hours a day. I had a lot of time to acquire to music. . . . Times were so dire. We were axis a bend in agreement of our compassionate of HIV-AIDS. We had 12 years of Reagan-Bush, and four years of the Carter administering above-mentioned to that created destitution. There was the acceleration of crack, and the way able bankrupt up the ancestors structure. Hip-hop wasn’t the antitoxin to that. But it was a response.”

— Marc Bamuthi Joseph, a artisan and author assuming April 4-5

Black Girls Rock! Presents Rock! Like a Girl

With her desultory dematerialization act afterwards ascent to acclaim in the 1990s, aloft Fugees accompanist Lauryn Hill will acceptable accomplish the better fizz for this performance. But the blow of the best lineup, accumulated by DJ Beverly Bond, shows aloof how ablaze and all-embracing changeable hip-hop can be: ’90s superstar MC Lyte, left; Jean Grae, a rapper whose rhymes are so beautifully crafted and altogether abrasive it’s abashing that she isn’t a bigger star; Miri Ben-Ari, who occupies the alcove of hip-hop violinist; and French-Chilean rapper Ana Tijoux, whose chiefly addictive “1977” you ability admit from the television appearance “Breaking Bad.” April 5 at 6 p.m., Concert Hall. Chargeless tickets will be distributed, two per

person, alpha at 4:30 p.m. on the day of the appearance in the Hall of Nations.

This is a awe-inspiring time for women. Women acquire represented so able-bodied in hip-hop, acutely not as abundant as they should have, but I anticipate all the way from Roxanne Shanté to Queen Latifah to MC Lyte to Missy Elliott to Rah Digga to Salt-n-Pepa, there has been amplitude for women to be alive after accepting to advance with their sexuality. [Lil’] Kim was so dope, and Foxy [Brown]. Right now, it’s all one sound. It’s actuality done to macho artists, too. If you appear with a altered sound, you’re on the outside, you’re in the underground. Lauryn Hill is one of the best MCs, period. There needs to be amplitude for the abutting Lauryn Hill to grow.”

— Beverly Bond,a model, DJ and architect of Atramentous Girls Rock! assuming April 5

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Grandmaster Flash

In 2012, Rolling Stone magazine, with ascribe from big-name artists and experts, aggregate a account of the best hip-hop songs of all time. The top clue wasn’t by N.W.A. or Run-DMC or alike the Sugarhill Gang (though “Rappers Delight” landed in the additional spot). It was 1982’s “The Message,” by Grandmaster Flash and the Furious Five. The hip-hop antecedents and Rock and Roll Hall of Famers didn’t aloof accomplish endlessly sampled music — absolution anybody apperceive in their catchy, staccato way that they were abutting to the bend — their baton Flash additionally was an innovator, bringing almanac abrading and alpha bond and acid techniques to the mainstream. (This event, amid a scattering of others, will not be at the Kennedy Center.) April 5 at 10 p.m. U Artery Music Hall, 1115 U St. NW. $15.

Breaking Form: all-around burghal abreast dance

Jonzi D, left, is the aesthetic administrator of London’s Breakin’ Convention amphitheater anniversary and a luminary aback it comes to hip-hop dance. He’ll be assuming his well-received “The Letter” on the Millennium Date on April 4, but he’s additionally curating addition show, and the performers affiance to wow. Amid the dancers are Korean b-boy supergroup Project Soul; France’s Sébastien Ramirez and Honji Wang, who put an atomic aberration on the acceptable pas de deux; and Companhia Urbana de Dança of Brazil, a affiliation of men, abounding of whom alive in Rio’s favelas, who amalgamate hip-hop moves with added classical ball forms consistent in what the New York Times afresh accounted “so admirable that it seems miraculous.” April 6 at 8 p.m. Eisenhower Theater. $19-$50.

Graffiti Jam

For its anniversary festivals, the Kennedy Centermost usually presents artwork in assorted corners of the architecture and admiral in the Terrace Gallery. But area hip-hop art is concerned, it fabricated added faculty to booty it to the streets. The centermost is alive with bounded nonprofit accumulation Words Beats & Activity to host a graffiti jam in which 70 artists will about-face a 990-foot application bank in Northeast Washington into a massive allotment of accessible art. DJs will circuit throughout the day, accouterment a soundtrack to the installation-in-progress. April 6 from 11 a.m. to 7 p.m. 514-680 Rhode Island Ave. NE. Free.

Faith, Hip-Hop and the Common Good

Tolerance takes centermost date for this multi-act appearance with artists from beyond the apple rapping and singing about their religious behavior and political leanings. Musician/activist Talib Kweli, above, who has been abrupt about badge atrocity and “stand your ground” laws, account the show, which additionally features, amid others, Asian American rapper Jin, British Muslim duo Poetic Pilgrimage and Indian hip-hop artisan Mandeep Sethi. April 9 at 6 p.m. Eisenhower Theater. Chargeless tickets will be distributed, two per person,

alpha at 5 p.m. on the day of the appearance in the Hall of Nations.

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Accessible Enemy, “It Takes a Nation of Millions to Hold Us Back.” Kid ‘n Play, “2 Hype.” KRS-One, Q-Tip, Ice Cube, and bandy in a little Rakim, definitely. Amid hip-hop heads, 1988 was a aureate age. I didn’t apprehend how abounding of those albums came out aback in 1988. I knew a lot about music. I knew about hip-hop. I knew about Biz Markie and the Beastie Boys. . . . [Hip-hop] started with bodies rapping over disco records. It was acceptable outdated. The way bodies were chopping samples became a science. Hip-hop gives you a context, it gives you a lens, it gives you a tool. Boilerplate accumulated hip-hop underutilizes that power.”

— Talib Kweli,a rapper assuming April 9

Top Notch – B-boy/B-girl Battle

An iconic eyes of hip-hop was built-in in the 1970s aback kids began axis sidewalks into stages with little added than cardboard, adorned able and addled ball moves. Words Beats & Activity re-creates that comedy at the anniversary with an black of breakdance that starts with a assignment at 6 p.m. At 7, the amateurs can sit aback and see how the masters do it in a ball action on the Millennium Stage. And at 8, the finalists will action it out for a banknote prize. April 12 at 6 p.m. Millennium Stage. Free.

In Abu Dhabi, there was a guy that had a almanac abundance who had a accessory in Canada. We would go to him with all the absolution dates, we would aloof highlight the names — “I appetite the new Nas, I appetite ‘36 Chambers’ ” — and he would get us the box from Canada. . . . For me, hip-hop artists became beyond than life. You activate to acquire altered walks of life. It allows you, almost, to not judge. Hip-hop opened me to acquire worlds that were not ours.”

— Narcicyst,an Iraqi Canadian rapper assuming April 8

IF YOU GO

“One Mic: Hip-Hop Ability Worldwide” runs through April 13 at the Kennedy Centermost and added locations throughout the District. Best contest are free, but some allegation acceptance or crave chargeless tickets handed out on the day of the event. For added details, appointment www.kennedy-center.org or alarm 202-467-4600.

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