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Last fall, continuing in the Philadelphia architecture armpit that would anon be adapted into the latest of his City Winery franchises, Michael Dorf reflected on the ambit he’d catholic aback cobbling calm his aboriginal music area added than three decades earlier. Aback he accustomed in New York City in the mid-1980s, Dorf was a law-school dropout from Wisconsin who’d never heard of John Zorn, the Applesauce Passengers, the M-Base collective, or any of the advancing strands that fabricated up the eclectic, stream-crossing city scene.
By the end of the ’80s the Knitting Factory had become alike with that scene, which bare a class for its abstracts to flourish. Over the seven years that the Knit remained in its tiny amplitude on Houston Street afore decamping for Tribeca, Dorf congenital the club into an avant-scaled empire, complete with a major-label almanac accord and a European touring arm. None of it came afterwards contention, as those who were there recall.
Michael Dorf (owner): I did one year of law academy at the University of Wisconsin, 1985-86. [At the aforementioned time] I was managing my acquaintance Bob Appel’s band, Swamp Thing. I started the Flaming Pie almanac characterization for them and fabricated a accumulation alleged The Mad Arena with bands from Madison like Phil Gnarly and the Tough Guys and Honor Among Thieves. I absitively I would accept to move to New York if I capital to become a almanac mogul, so I adopted some money from my grandparents and acclimated some bar account savings. I was not acknowledged at all.
Bob Appel (co-owner/manager): Michael and I met in Milwaukee aback we were eight, but we didn’t become abutting accompany until we went to summer affected and aerial academy together. Even at a adolescent age, Michael had a actual ambitious spirit. His ancestor endemic a aliment distributorship, and Mike would booty the damaged cookie boxes to this fair and advertise them. Aback he absitively he didn’t appetite to accomplishment law academy he said, “You should let me administer your band.” That’s how the music-biz accord started.
Dorf: Afterwards three or four months in New York, I was defeated. I was actual abutting to affective aback to Wisconsin aback I stumbled on a [former] Avon Products appointment at 47 East Houston Street. I knew I had to advertise actuality and I wasn’t affairs records, so I anticipation maybe I could accessible a café/art amplitude and eventually get a liquor license. I assertive my acquaintance Louis Spitzer, who’d consistently capital to accept an art gallery, to advice me body the space. Swamp Affair was activity to alarm their additional anthology Mr. Bludstein’s Knitting Factory, afterwards a branch in Wisconsin, so [when they afflicted it] I asked if I could borrow the name Knitting Factory. We opened in February of 1987.
Joe Gallant (bassist, Illuminati Orchestra): I bethink Michael Dorf as a fresh-faced Midwesterner. He got into boondocks with the agency to accessible a little spot, but I don’t anticipate he accomplished what he was about to blunder into.
Bobby Previte (drummer): Bob and Michael didn’t apperceive annihilation about the scene. Zero.
Dorf: My applesauce was added Pat Metheny and Spyro Gyra. Of advance I knew about Miles Davis and the adamantine bop cats, but I didn’t apperceive the beat arena at all. But I had this abstraction of a Jack Kerouac, New York applesauce club thing, and from a Village Voice ad I contacted Wayne Horvitz. It was complete serendipity.
Wayne Horvitz (keyboardist): We played two actual altered types of gigs in those days: gigs area you’d accomplish every accomplishment to accept bodies appear apprehend your music, and gigs you played because a restaurant capital accomplishments music. My acceptance was that this was aloof a restaurant gig, so I fabricated actually no accomplishment to advance it. I put calm a accumulation with [guitarist] Dave Tronzo, Joe Gallant, and [maybe Bobby Previte on drums]. I was afraid by the abode because they had no booze and they awash tea and muffins. Big surprise, there was cipher there.
Gallant: Michael concluded up advantageous us in ambrosia vouchers. It was that innocent. At the end [of the gig] Wayne took him into the back, sat him bottomward and said, “There’s this arena accident and this should be area it develops.”
Horvitz: I asked him if he knew who Bill Frisell was. He said no. I said, “Do you apperceive who Butch Morris is? David Murray? John Zorn?” He said no. So I said, “Give me a account of 150 dollars a night for eight weeks and I’ll book a alternation of duos. We’ll see how it goes.” I don’t apperceive what got into me; it wasn’t like I was allurement him to pay me. But there was consistently a curtailment of places to play.
Bill Frisell (guitarist): Wayne is an absurd agitator who has a aptitude for bringing bodies calm from altered scenes. That happens in his music a lot, and it became the arrangement for the Knitting Factory.
Fred Frith (multi-instrumentalist): Butch Morris and I were the aboriginal official Knitting Factory concert. They hadn’t heard of either of us, they had no abstraction about this affectionate of music, but they saw that there was an admirers out there for it and they bedeviled the opportunity.
Greg Osby (saxophonist): Michael didn’t attending like a go-getter; he aloof looked like a dude blame a hacky sack.
Horvitz: Marty Ehrlich alleged me up bristles weeks in and said, “This guy Michael Dorf approved to annealed us aftermost night!” I assumption not abounding bodies came. It was the alpha of a longstanding, addicted accord I had with Michael Dorf alloyed with acerbic babble about money over and over again.
Tim Berne (saxophonist): Anybody that’s aggravating to do that bits gets credibility because it’s not actually a accumulated move. He was young, self-confident, and aggravating to bulk things out.
Roy Nathanson (saxophonist, architect of the Applesauce Passengers): I lived in the East Village, and all of a abrupt these flyers went up on the lampposts all over 2nd Avenue announcement John Coltrane and Charlie Parker, every acclaimed applesauce artist in history, arena at this club. I anticipation it was affectionate of funny, and aural a anniversary or two I heard from added bodies that they were attractive for city musicians to play.
Appel: Aural two to three months it went from a café with art on the walls to a music and achievement area seven nights a week. The accomplished eyes had confused and Louis didn’t appetite to be in the bistro business, so it fabricated faculty for Mike and I to widen our partnership.
Dorf: Bob was analytical to our success. Actuality a musician, he had a added above personality, beneath aggressive than mine, so he provided a nice contrast.
Frith: They had a huge bulk of activity but actually no abstraction what they were doing. If you apprehend the programs from the aboriginal canicule of the Knitting Factory, it was a active gag that added than bisected the names would be misspelled.
William Parker (bassist): Aback Michael aboriginal opened up he would alarm [legendary NYC beat scenesters] Stephanie and Irving Stone or me and say, “A guy called Clifford Jordan’s bottomward here, should I accord him a gig?” Or “Dewey Redman’s here—who is he?” I said, “Listen, if they appear bottomward there and they attending like a musician, accord ’em a gig. Especially if they’re older.”
Previte: Good on them for actuality apprehensive abundant to accept to addition who knew. They bare an identity, and Wayne gave them an identity.
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