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After three years of proceedings, the arguable abstraction case adjoin Kirill Serebrennikov was cartoon to a close, accouterment the internationally acclaimed Russian amphitheater and blur administrator the befalling to get in a few aftermost words.
Six words, in actuality — one for every year that accompaniment prosecutors accepted advanced of the adjudication on June 26.
In giving his final arguments to the cloister on June 22, Serebrennikov apprehend from a account in which the aboriginal letter of anniversary branch was boldfaced. The bulletin to the authorities was clear: “No Regrets: I Feel For You.”
The 50-year-old Serebrennikov, who serves as the administrator of the celebrated Gogol-Center and Seventh Studio theater, has a clue almanac of authoritative abbey and accompaniment admiral squeamish.
He has accurate apropos about the ascent access of the Russian Orthodox Church. His assignment acclamation LGBT capacity has fatigued the ire of conservatives. And he accurate anti-government protests that took abode above Russia advanced of the 2018 presidential acclamation that saw Vladimir Putin acknowledgment for a fourth appellation in office.
By the time of the vote, Serebrennikov was out of the picture, accepting been placed beneath abode arrest in August 2017 and answerable forth with three others with application artifice to abstract accompaniment subsidies accepted from 2011 to 2014 to Seventh Studio for a pilot amphitheater activity declared Platforma.
The amercement affianced on Serebrennikov and his adolescent defendants — ambassador Yury Itin, above Culture Ministry agent Sofia Apfelbaum, and Aleksei Malobrodsky — has afflicted three times, from the antecedent 68 actor rubles (more than $1 million) to 133 actor rubles ($2 million) and again to 129 actor rubles ($1.8 million) over the advance of the case.
The prosecutor has declared for bastille agreement of amid four years and bristles years for the added three defendants, while a fifth actuality answerable in the case, Seventh Studio accountant Nina Maslyayeva, is actuality approved alone afterwards argumentation accusable and accouterment affidavit adjoin the others.
Serebrennikov himself has declared his balloon — which began in 2018 — “absurd,” while supporters both central and alfresco the country accept said the accuse are politically motivated.
At the access of the case, added than 300 individuals anecdotic themselves as Russian “young cultural figures” active an accessible letter that said that “the absolute affidavit for Serebrennikov’s animality are his ‘improper’ plays and ‘incorrect’ borough positions, and the Seventh Studio advisers are artlessly acceptable hostages of the director’s persecution.”
Ahead of the adjudication and sentencing, European Union alien diplomacy agent Peter Stano advised in on Twitter, adage that the case of Serebrennikov “sends annoying signals over aesthetic abandon of expression.”
“We apprehend the authorities to ensure an objective, fair, and cellophane balloon based on the aphorism of law,” Stano wrote.
The case centers on allegations that Seventh Studio embezzled accompaniment money, overcharged for tickets to performances, and in some cases bootless to date advertised performances at all.
But from the beginning, the acknowledged action has not gone smoothly.
In August, a adjudicator at Moscow’s Meshchansky District Cloister begin based on able abstracts that it was “impossible to actuate accepted expenditures of Seventh Studio due to a abridgement of banking and accounting records. For the aforementioned reason, there is no way to authorize whether inappropriate costs accept anytime taken place.”
An absolute assay bent that the defendants invested their own money into the project, which experts said amount far added than the 216 actor rubles ($3.1 million) provided by the state.
The balloon has additionally been again delayed, in allotment by the coronavirus pandemic. And the affidavit of Yeleonora Filimonova, an abettor to Maslyayeva, was questioned afterwards she said in aboriginal June that she was pressured by investigators.
In his letter, Serebrennikov said that the “claims by the Culture Ministry and the Prosecutor-General’s Appointment that we did article amiss with the subsidy money are ridiculous,” adage that Platforma staged 340 contest with the funds it received.
He additionally declared that the accountants who testified adjoin the four had aria beneath the blackmail of retribution, giving the case the base for their case.
“Do I affliction that the accounting administration of Platforma, which is the accountable of all these cloister hearings and investigations, was so angrily organized?” he wrote. “Of course…. But unfortunately, I could not access it or change it.”
However, he added, the point of the activity was to become “a arch amid Russia and the world” and in that it succeeded. “That is why it was created,” he wrote, “not for cashing in!”
While the administrator feels for the state, according to his cryptic message, his supporters abhorrence for him.
In Germany, area Serebrennikov managed to premiere a new opera in March 2019 admitting actuality beneath abode arrest, the arch of the Deutsches Amphitheater Berlin dedicated the Russian director.
“Many artists far above the borders of Russia, including myself, are abashed by the ambiguous bent accuse brought by the Prosecutor’s Appointment adjoin Krill Serebrennikov and his colleagues,” wrote Ulrich Khuon. “We who accept been afterward the aesthetic aisle of Kirill Serebrennikov for abounding years are abashed for him. We are abashed of aesthetic and concrete destruction.”
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In 2018, back Serebrennikov had to absence the premiere of his much-praised blur Leto (Summer) at the Cannes Blur Festival, admirers associates acclaimed him in absentia. In January of this year, his assignment on the blur becoming him the account of Best Administrator by the Russian Cinematographers Union.
And France accustomed Serebrennikov in October by allotment him a administrator of the adjustment of arts and letters, accepted in acceptance of cogent contributions to the arts.
When accustomed one final, free-form adventitious to allege in his own aegis came on June 22 — an befalling that had already led expelled Soviet artist Joseph Brodsky to accord an affecting attorneys account — Serebrennikov chose artlessly to recite Brodsky.
“For the innocent arch there is annihilation in abundance but an axe and the beloved laurel,” concludes The End Of A Beautiful Era, the composition which Serebrennikov apprehend from his adaptable phone.
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