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If you’ve anytime stepped bottom in a Gucci, Tom Ford, Ralph Lauren, Bottega Veneta, Yves Saint Laurent or Harry Winston boutique, you’re accustomed with Flat Sofield’s autogenous architectonics and design. And affairs are, if you’ve addled through pages of Architectural Digest, you’ve apparent the firm’s chichi interiors aural a multimillion-dollar Aspen ski home, or apparent his added absorbing works in The New York Times, Departures, Elle Décor and more.

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Founder William Sofield is one of the best abounding designers of our time with a accurate absorption to detail and a chichi aesthetic, application abrupt abstracts to actualize a adequate assignment of art. The New York-based artist is a self-taught carpenter and artisan (he already hand-veneered a dining allowance with eggshell marquetry and casts all of his accouterments with P.E. Guerin) who ethics adroitness and ingenuity. His assignment is declared as Modernist by attitude and Historicist by training, and he approaches anniversary activity as a acknowledgment to its location, its ambience and active functions.

William Sofield, architect and CEO of Flat Sofield.

Sofield accustomed his amount in Architectonics and Urban Planning from Princeton University and went on to alpha Flat Sofield in 1996. Aback then, he’s won abundant awards and has been listed as an AD100 designer. Not alone has he helped architectonics about 1,400 affluence abundance interiors, but he’s advised endless residences for designers Tom Ford and Ralph Lauren, and celebrities like Madonna, Kelly Ripa and Mark Consuelos and Mary-Kate Olson, to name a few. He aboriginal began animate on Ralph Lauren’s food in 1986, and has aback advised clandestine residences for both designers. He’s additionally amenable for the alluring interiors at the Soho Grand Hotel, and clandestine members’ clubs in New York, CORE: Club and Zero Bond. 

He is currently animate on several clandestine residences in New York City, Miami and Palm Beach, Los Angeles and abode developments in New York City, including 111 West 57th Street, Beckford Tower, Beckford House and 135 East 79th Street.

The New Yorker, who has spent upwards of 30 years animate and active in Manhattan’s NoHo adjacency talks to Forbes about his architectonics philosophies, adherence to adroitness and agitative new projects.

How do you anticipate your access to architectonics and architectonics differs from others?

I get all my afflatus from the artery and observation. Aback I did assignment with Gucci, Yves Saint Laurent, Tom Ford, Salvatore Ferragamo, Bottega Veneta and more—I anticipate I authority a almanac in agreement of the cardinal of retail food or affluence retail food I did aural seven years; it was up to 1,400—I was in a altered burghal about everyday. I was in Tokyo alert a anniversary for a few years, so I absolutely acquired my afflatus from altered cultures. I’d aloof airing the streets, see what bodies were cutting and what music they listened to. I draw added from the alfresco apple than I do from the architectonics community.

I anticipate it involves a assertive athleticism, I will say. It’s affectionate of like those runners that aloof accumulate assault their own annal in the Olympics. I about access my retail projects the way I do residential work; I don’t absolutely see any acumen in any of the categories. I additionally abhorrence shopping, so I anticipate that’s why I’m a acceptable retail designer. So abundant of retail design, for me, is based in insecurity. How are you activity to accomplish addition feel comfortable? Alike salespeople, I ample food are absolutely homes for the bodies who animate there seven hours a day and seven canicule a week.

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The Tom Ford abundance on Sloane Artery in London.

You’re actual adherent to attention crafts and techniques. Why is this?

When the recession of the aboriginal ‘90s hit, it was amazing how abounding ateliers, guilds, comminute workshops and craftsmen were activity out of business about immediately. I was actual committed to befitting that alive. We’re talking about aback aback there were anatomy makers and guilders on the Bowery, who adequate old Baroque frames and were still woodcarving. At that point a few years afore in the mid ‘80s, I had accessible all calm and did a architectonics anatomy amateur at a accomplished mill-working boutique on the Upper East Side.

I capital to apprentice the ability afore I did architecture. I bethink the way that came about was, I’d been animate on affectionate of a actual big celebrity activity and I heard Ignacio, who’s this abundant 89-year-old Italian artisan say, “Princeton, hmm? That aperture is acceptable to bastardize out aural a month.” I took it to affection and afresh abstruse affectionate of the barter from the central out. It was from afresh on that I absolutely fabricated abiding whatever I did was actual able-bodied and crafted. I consistently try to absorb artisans in any activity I do.

A clandestine abode in Palm Beach, Florida, advised by Flat Sofield.

What are you animate on now that you’re aflame about?

Right now, although, we are animate on a cardinal of actual ample architecture projects, including 111 West 57th, which I accept is the second-tallest residential architecture in the Western Hemisphere on Central Park. The architecture is additionally very, actual narrow, at 48-feet wide, so the angle are incredible, and it doesn’t casting a adumbration on Central Park, so it doesn’t annihilate all the plants.

Doing all of the architectural interiors for that is spectacular. I can’t brainstorm article of that affection will anytime appear afresh in New York, or absolutely not for a actual continued time. The adroitness is extraordinary. Best institutions appetite a artefact that can be activated in a blow chamber. I anticipate mostly they are panelized, so absolutely the affairs of a activity are geared adjoin hand-crafted barrio because you absolutely accept to be committed to accomplishing article like that. I accomplished the architecture 135 East 79th, area I did all the carvings on the arena attic myself. There were adobe mockups and aerial boards on my dining allowance table for about two years that served as the model, and assuredly I was accustomed the claiming to get them out, because they’re about 27 feet. For that project, I enjoyed acquirements how to be a stonemason.

The bluff at 135 East 79th Street, featuring a admirable bean exterior.

How did you get complex in Zero Bond?

Scott and I had alternate accompany in the mix. Looking out the window at our old flat was two blocks abroad from Zero Bond. It’s magnificent, the architecture is all casting terracotta, and from my office, I can absolutely see the advanced aperture of Zero Bond. I animate aloof bottomward the street, and in our old appointment we were there for 23 years, so I’ve been absorbed in the NoHo adjacency for 30 years. 

How did you access Zero Bond’s design?

The access to all of my projects is that I like them to feel inevitable. I consistently antic that if I do a absolutely acceptable job cipher will accept any abstraction I existed. For me, it’s consistently about actuality actual admiring of the site. We don’t accept a signature style. I assignment as a aerial modernist and a minimalist as abundant as I assignment in article with abundant added flavor, so a lot of the cues came from the amplitude itself, which is this beautiful, about pristine, two floors of the old Brooks Brothers abundance from 1874. It was compassionate the basic of that amplitude and what’s so appropriate about it, and again, that’s article beyond the lath I do.

Zero Bond’s library, with a bank of books curated by Assouline.

Your projects are comfortable after actuality ostentatious. 

Luxury for me is not about scattering gold blade on everything, although in this activity I did, but it’s about actuality considered. Maybe I was in so abounding affluence hotels in such a abbreviate aeon of time that there’s a assertive anonymity and soullessness that comes to it, no amount how admirable it is, that you could, I won’t name brands, but accessible up your eyes and you apperceive it’s like one of the best absolute hotels in the world, but you would not accept any abstraction what burghal it would be in if you woke up there. I adulation spaces that are so affiliated to a area that you could alone accept that acquaintance there, and that’s what I acquainted about Zero Bond. It was actual abundant abiding in this adjacency and this time and place. 

How has Covid-19 redirected your architectonics philosophy, accurately with Zero Bond actuality so new?

Even afore Covid-19, one affair I acquainted was actual important was quiet and privacy. I’m a actual acceptable investigator with annihilation I do, I sit and delay and watch. I did go to every distinct club on earth. And maybe additionally because I was such a club kid, I was in flat 54 every night aback I was 16. So at a assertive point, I absolutely do adore a little bit of ambition or privacy. I’m not decidedly into a scene, and the arena should never be beyond than its participants.

A clandestine club, alike admitting there is a akin of exclusivity, and alike if you ability be in slight accurate proximity, you can accept some amount of privacy. At Zero Bond, I’ve advised the best admirable buzz booths, all with brownish crackled bottle that are absolutely upholstered, so if you appetite to booty a buzz call, you can, because it absorbs complete and the bodies abutting to you don’t accept to overhear. And also, you don’t accept your secrets actuality leaked out, abnormally if you’re a celebrity and carnality versa. For me, it’s about actuality in accessible and accepting aloofness at the aforementioned time which afresh Covid-19 played into.

What added aspects of the amplitude are you aflame about?

A lot of the fun that I aloof had with materials, like at the sushi bar, the counters are broiled wood, so it’s all austere and afresh it’s preserved beneath resin. It’s fantastic. It’s article so asperous accumulated with article so fun, like the atramentous clover draperies. I additionally adulation the mirrors that abide the apartment into beyond and the cracks in the bath floors because it’s the old aboriginal accurate floors. Rather than aggravating to accomplish them perfect, why not inject gold leaf? I consistently do the aerial low in any of my assignment because I anticipate it’s added absorbing that way. We acclimated a hypodermic aggravate to inject all the cracks with gold leaf.

I additionally capital the bathrooms to accept a bit of courtesy, with a acceptable adverse amplitude and lights to do your makeup, attract through your backpack or be able to accept your buzz out in private. I was aggravating to accept today’s technology, and abnormally enough, it segues altogether into Covid-19. 

I’m audition you allege about designing to accomplish bodies feel at ease; how do you accede animal behavior and affections aback you’re designing? 

I can’t put myself in anybody else’s body, and I don’t adumbrate trends, but I architectonics allegedly for what I feel and achievement that it resonates. And it’s consistently about allotment people. With Gucci, I did bathrobe apartment that gave the chump control.The apartment were ample abundant that you could absorb some time there, you could see your back, you could see what you attending like from the top. There were lights that switched day to night, so you saw what the bolt looked like in appointment light, and you additionally saw it in the black light. In this situation, I anticipate it’s actual acceptable if you alpha designing from insecurity, aback everybody has one or more. Bodies are accessible and I like to architectonics to empower people.

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