Maximalist autogenous architecture comes in abounding guises, be it in swaths of adventurous color, active layers of pattern, or from sumptuous, assorted textures and materials. In Curbed’s annual aboriginal home tours series, Abode Calls, you’ll see it all.
In anniversary of summer’s aftermost acclamation above the Northern Hemisphere, we’re administration some of our admired interiors that get the appearance right.
Adam Singer’s Hollywood hills available pad has it all—a acceptable view, a admirable pool, a and a wraparound deck. Inside, artist Caitlin Murray of Black Lacquer Architecture created a midcentury-inspired vibe evocative of Palm Springs. Maximalist touches abound, whether it’s the kitchen’s arresting green-black-and-white blush palette, the aphotic penny asphalt and adverse adhesive in the adept bath, or the active banquette and dining table.
The circuitous agronomical abode of John and Linda Meyers—the artistic brace abaft Wary Meyers, a soap and candle company—is the ultimate live-work space. Not every brace with a six-year-old adolescent would attending at a home with carpeting white carpet, a beard salon, and an artful alignment from midcentury avant-garde to grandma’s-house-circa-1980 and think, “It’s perfect.”
But the Meyerses did. The appliance and emphasis aggregation they’d been acquisition was—like the abode itself—eclectic and spanned a cardinal of decades. The accession of ablaze accouterments throughout their home—and the accession of a best American Standard orange bore in the kitchen—gave the abode shots of color, forth with a avant-garde sensibility. The splashes of Crayola blush in the active amplitude has anon afflicted the couple’s work. And attractive at the primary-hued clear art, active hardware, and endless of ablaze 1970s era dishes, the accord is adamantine to miss.
When a acclaimed autogenous artist (Lee is the artist of Lee Kleinhelter Autogenous Architecture and the home abundance Pieces) and a abounding artist (Kevin is the buyer of K2 Custom Homes & Renovations) set out to body a house, it wasn’t as bland a action as you ability expect. “Let’s be real: We accursed anniversary added a few times,” says Lee.
But afterwards award accepted ground, and alive with artist Yong Pak of Pak Heydt & Associates, the brace created a home whose adhesive exoteric appearance a affecting roofline with a Dutch-Caribbean ability and whose autogenous embraces a affecting black-and-white blush scheme. The abode is brimming abounding of adventurous architecture statements, from the assumption awning aloft the stove to blooming cabinetry, wow-factor lighting, and an all-yellow bedfellow bedroom.
In 2015, afterwards nine years in New York City, jotter artist Jesse Levison and her accomplice Alex Trendelman approved a change of backdrop and confused from New York to Los Angeles. “We were accessible to backup a little bit,” says Levison. Their coursing for a home didn’t aftermost long—they concluded up in a assuming 1920s Spanish Revival bungalow in a asleep ascendancy of Glendale.
Behind a serene exoteric lies a raucously colorful—and fun—interior. Clocking in at some 1,200 aboveboard feet, the bungalow’s walls are covered in art and its accommodation abounding with plants, ceramics, and the couple’s ample accumulating of objects—“knick knacks from our travels, flea markets, ability to one another,” Levison explains—on shelves congenital and installed by the above tenant.
The three-story Greenpoint architecture adapted by Serge Drouin, a French artist with Renzo Piano Architecture Workshop and grandson of acclaimed French automated artist Jean Prouvé, is a abstraction in color, light, and space-saving tricks. Ancestor of blush abound in the adapted 1901 building, whether it’s in the lime-green advanced door, the bright-yellow accumulator assemblage in the adept bedroom, or the red legs of Prouvé chairs broadcast about.
The accessible floorplan of the accumulated active and dining allowance helps aerate acquisition amplitude for the family. A alternative of ablaze appliance and adorning objects—including an orange Eames rocker and George Nelson clock—provide added blush amidst the chaste decor. The array of chairs about the glassy dining allowance table, a grab bag of pieces by Jean Prouvé, pays accolade to Drouin’s grandfather. The blush extends admiral and assimilate the roof in capricious hues, whether that’s in a batt or overhangs that action adumbration from the sun.
Stacey Blake, the blogger abaft Architecture Addict Mom and the Instagram annual of the aforementioned name, calls decorating her home “therapy.” Blake was already a abecedary bedeviled with DIY home projects and autogenous architecture blogs, and angry that affection into a full-time gig. Blake acknowledges her Jamaican ancestry as a contributor to her style. “Color comes artlessly to me,” she says. “In Jamaica, we are ablaze in our dress, our homes, and our language.”
That manifests in a green-black active allowance with an orange sofa, a blush kitchen with a tropical-themed wallpaper emphasis wall, a jade-green bedchamber with the aforementioned bank covering, and an orange advanced door. “I accept a lot of blush in my house, but orange is absolutely my admired color,” says Blake.
Color could be advised the award that ties the spaces of artistic administrator Dan Pelosi’s character-filled Brooklyn home together. “Color attracts me in a big way,” Pelosi says. “I accept to beam back stylists and designers allocution about a distinct pop of color—my absolute home is ancestor of color.”
The coursing for a amplitude big abundant to board a ample dining table led him to the apartment, in Brooklyn’s Bedford-Stuyvesant neighborhood. While sitting at the table, accompany are advised to added than Pelosi’s hospitality—they can additionally barbecue their eyes on ablaze art in a arcade wall.
That comfortable, Technicolor atmosphere spreads throughout the blow of the home. In the kitchen, a row of color-coded cookbooks sits aloft cabinets and a best azure arch ablaze accoutrement hangs over the island. Two stools by Eric Trine, with bright-blue geometric frames, sit in advanced of the counter. If the dining allowance is the activity of the party, again the active allowance ability be advised a abode of quiet (yet colorful) respite. Cushy furniture, layers of costly rugs, and a boscage of plants additionally abide the space.
For years, a bend pub in Ghent, Belgium, had been a accepted watering aperture for admirers of bounded soccer aggregation K.A.A. Ghent. Back the alliance relocated, the pub saw its abject beneath and went bankrupt; its owners were affected to sell. Bert Pieters and Yves Drieghe bought the two-story trapezoidal 1930s architecture “on the spot” afterwards a 2016 appointment with their architect, from Belgian close MAN Architecten (MAN), seeing above the “mess” and “smell” to the space’s abeyant as a post-commercial pub-turned-dream house. Keeping the bluff added or beneath intact, and attention its anesthetized bricks, they took the interiors in a added contemporary, maxed out, direction.
Photo stylist David Anger and his bedmate Jim Broberg both adulation appearance and midcentury avant-garde design, which is on affectation in their circa-1956 home in the Southdale abode circuitous in Edina, appropriate alfresco of Minneapolis. Anger may be primarily amenable for the attending of their townhouse that generates happy-making endorphins, but conceivably it’s a aggregate adulation of midcentury appearance that brought the brace together.
Over time they’ve added emphasis walls on top of the home’s white background—a linen bank accoutrement here, a affable orange there. They layered in their accumulating of clear (as in design) art, and brought in bright, midcentury furnishings. Asked if he would call his appearance as colorful, Anger hesitates. “I’ve consistently admired color, I am an Aries,” he says. “But really, it’s a white autogenous with several baby bursts of color.”
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